On visiting The Great Inka Road: Engineering an Empire exhibition at the Smithsonian National Museum of the American Indian, it is impossible not be taken by the sheer scale of the Inka Road. Qhapaq Ñan, or the Road of the Inka, is a 25,000-mile long road system that fed the rapid expansion of the Inka Empire in the 14th and 15th centuries. It connected distant towns and settlements in the Andes, snaking up and down mountains, bridging impossible valleys, and traversing lush agricultural fields and terraces. In 2014, the road was recognized by UNESCO as a World Heritage site.
The Great Inka Road moved goods and people, of course, but it was also a vital conduit for communication. The system stretched north and south along the Andes, from modern-day Ecuador to the middle of Chile. Pre-internet, pre-telephone, pre-tattooed bike courier, information was passed through a network of _chaskis_—young men who acted as long distance relay runners. Each chaski ran 10 to 15 miles to the next chaskiwasi, a house where the next runner awaited. Messages were relayed verbally (because the Inka had no written language) and small parcels were exchanged. The new chaski would then speed off to complete his leg of the trip. In this manner, communications passed rapidly between far-flung cities across the Andes mountain range. A message could be relayed over 150 miles in a single day.
The interactive team at the National Museum of the American Indian saw the chaski story as an opportunity to bring additional engagement to the museum gallery. An underlying goal of the exhibition design was to balance traditional content elements, like museum artifacts, maps, and text labels, with interactive experiences. To this end, The Great Inka Road: Engineering an Empire features several digital interactives, including a dining table-sized multi-touch surface that presents a 3D rendering of the ancient city of Cusco and encourages visitors to explore and unlock deeper stories. The exhibition and its interactive elements are fully bilingual, in English and Spanish.
The team identified the chaski story as a candidate for interactivity and gamification. The story was attractive not only because it could spur a visitor’s curiosity, but because the rapid communication system supported the main message of the show, that “this was a sophisticated society that used sophisticated engineering methods to manage a very complicated and wide-ranging society,” said Daniel Davis, manager of the museum’s media group.
Preliminary ideation led to a slew of ideas, including a physical relay in the exhibition space involving check-ins and barcode readers, and other first-person approaches where the player took the role of a chaski. But after consulting with EduWeb, the development partner on the project, the concept quickly matured and simplified. Instead of becoming a chaski, the game would be about managing chaskis from a bird’s-eye perspective.
With a more focused idea and funding from the Electronic Software Association, the team set out on prototyping and development. Dubbed The Chaski Relay, the game concept was very simple: the player manages a network of chaskis and is responsible for delivering messages of varying urgency between cities across the vast Inka empire. Using the touchscreen, the player traces the most efficient city-to-city route for the chaskis to follow on a map. Points are awarded for picking expedient routes – ones that are shorter and require less chaskis. Tracing an inefficient or stray route could lead to late deliveries, or worse yet, chaskis falling off cliffs or being eaten by jaguars.
The simplicity of the game concept elicited healthy skepticism and a few furrowed eyebrows among the team. To test it, EduWeb built a fully functional prototype in Unity, a video game engine. The application was loaded onto a touchscreen display and rolled into a public gathering space in the museum. Preliminary testing with visiting grade-schoolers revealed that the overall game concept was on track.
“We tested it with second through fourth graders and were kind of shocked that, by and large, they were into it. At which point we said, ‘we don’t really have to make this any more complicated,’” recalled Erin Weinman, applications manager at the museum. Said Daniel Davis, “It’s a game that one might not do sitting on their couch at home, but it works well within the context of the galleries and a museum visit.”
With the general concept affirmed, the team focused on refining design and gameplay elements, conducting six rounds of testing with a fully functional prototype. Each test was done with museum visitors in the gallery. Findings from each round sparked a punch-list of iterations, made directly in Unity to amend the prototype for the next round. Refinements included simplifying and enlarging the handoff animation so that players better understood that chaskis were relay messengers, improving touchscreen interactions to make them more predictable, and fixing technical bugs.
A summative evaluation shows that The Chaski Relay is engaging visitors and fulfilling its learning objectives. Visitors play an average of four minutes, which is no small accomplishment in a gallery setting where people are moving from one display to the next. Players appeared to absorb the game’s learning objectives, with 89% able to demonstrate knowledge about the Inka Road. Most players interviewed (30%) mentioned the importance of the road to the Inka, and some (19%) talked about the complexity and sophistication of the road system.
While group play was not a primary objective of the game design, the team feels that socialization is one opportunity for improvement in future projects. Simply using a larger screen to allow multiple players to participate could enhance cooperation and social interaction. Overall though, the team is very pleased with the outcomes, and the game is regularly busy. Said Daniel Davis, “We were really fascinated to see how a simple game can be a really effective experience.”All references to specific brands and/or companies are used only for illustrative purposes and do not imply endorsement by the U.S. federal government or any federal government agency. Explore DigitalGov for more information on how federal agencies are working with user experience (UX) and user testing, gamification, and multilingual content to better serve their customers. If you have a .gov or .mil email address, check out and join our Communities of Practice to connect with other feds working in these fields.Edit